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A large, gray-furred monster's hand is in focus on the screen against a dim, yellow-toned location and a man kneeling in front of the beast. Its long claws are splattered with blood.

in Interviews

Slasher 15 Films and Kodi Films: Two Indie Horror Film Companies to Watch Out For

On the left, Brian Krause as Charles Brady in Sleepwalkers, a young, white, blonde boy with a flesh self-administered cut on his upper left arm, sitting shirtless in front of a window. He is illuminated by sunlight peeking through the blinds. On the right, Felissa Rose as Angela Baker in Return to Sleepaway Camp, a tan woman with messy dark hair. Her mouth is opened wide in an exclamation, her face illuminated by fiery light. There is a dark film peeling away from the center of her face.

in Interviews

Felissa Rose and Brian Krause Talk Horror Genre, Charmed, and More

On the left, Hannah Fierman as Lily in V/H/S, a pale woman illuminated by soft light, her eyes wide and her dark hair falling across her shoulders. On the right, Ross Marquand as Red Skull in Avengers: Infinity War. He is wearing a tattered black cloak, a hood only revealing his face, red and grizzled.

in Interviews, Film Festivals

Hannah Fierman and Ross Marquand Talk Creepshow, The Walking Dead, Favorite Subgenres, and More

More Stories

in Interviews

56 Independent Horror Artists and Sellers to Shop From

by Emma Gilbert
in Interviews, Friday the 13th

C.J. Graham on Friday the 13th Part 13, Vengeance, and More

by Emma Gilbert
in Favorites

Horror and Romance Can Make an Irresistible Combination

by MD Bastek
in Uncategorized

Ed Wood: The Greatest Worst Director of All Time

by Neil Gray
in Favorites

Underrated Final Girls Who Beat the Odds

by Mack Veltman
in Favorites, A Nightmare on Elm Street

Dream Sequences in the A Nightmare on Elm Street Series

by Josh Sweeney
in Features

One of Us! Horror Writers Wanted

by Horror Obsessive
in Favorites

11 Low-Gore Horror Films for Your October Watchlist

by Emma Gilbert
in Film Festivals

Mile High Horror Film Fest: Brilliant and Bizarre, Fried Barry Is a Trip Worth Experiencing

by Josh Sweeney
in Uncategorized

The Brood Is the Messiest Divorce in Cinema

by Adam Chimeo
in Horror and Society

A Bit of “Beastly Business”: Psycho, the ’60s, and Shocked Sensibilities

by Corey Callahan
in History of Horror

The 1960s: The Horror Film in Flux

by Corey Callahan

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